Complete Articles of DEsigns and Graphics source

About Best Artist Andy Warhol

admins — Sun, 05 Sep 2010 07:13:08 +0000

Andy Warhol was born Andrew Warhola 1928. Born to Slovak immigrants, he was reared in a working class suburb of Pittsburgh. From an early age, Warhol showed an interest in photography and drawing, attending free classes at Carnegie Institute. The only member of his family to attend college, he entered the Carnegie Institute of Technology (now Carnegie Melon University) in 1945, where he majored in pictorial design. Upon graduation, Warhol moved to New York with fellow student Philip Pearlstein. He found steady work as a commercial artist working as an illustrator for several magazines including Vogue, Harper’s Bazaar and The New Yorker. He also did advertising and window displays for retail stores such as Bonwit Teller and I. Miller. Prophetically, his first assignment was for Glamour magazine for an article titled “Success is a Job in New York.”

Throughout the nineteen fifties, Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Director’s Club and the American Institute of Graphic Arts. During this period, he shortened his name to “Warhol.” In 1952, the artist had his first solo exhibition at the Hugo Gallery, exhibiting Fifteen Drawings Based on the Writings of Truman Capote. Subsequently, Warhol’s work was exhibited in several venues throughout the fifties including his first group show at The Museum of Modern Art in 1955. In 1953 the artist produced his first illustrated book, A is an Alphabet and Love is a Pink Cake, which he gave to his clients and associates. With a burgeoning career as an illustrator, he formed Andy Warhol Enterprises in 1957.

1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto his canvases with an opaque projector. In 1961, Warhol showed his paintings, Advertisement, Little King, Superman, Before and After, and Superman, Before and After, and Saturday’s Popeye in a window display of Bonwit Teller department store. Appropriating images from popular culture, Warhol created many paintings that remain icons of 20th-century art including the Campbell’s Soup Can, Marilyn and Elvis series. In 1962, the Ferus Gallery in Los Angeles exhibited his Campbell’s Soup Cans and in New York, the Stable gallery showed the Baseball, Coca-Cola, Do It Yourself and Dance Diagram paintings among others.

In addition to painting and creating box sculptures such as Brillo Box and Heinz Box, Warhol began working in other mediums including record producing (The Velvet Underground), magazine publishing (Interview) and filmmaking. His avant-garde films such as Chelsea Girls, Blow Job and Empire have become classics of the underground genre. In 1968, Valerie Solanis, a periodic factory visitor, and sole member of SCUM (Society for Cutting Up Men) walked into the Factory and shot Warhol. The attack was near fatal.

In the 1970′s, Warhol renewed his focus on painting and worked extensively on a commissioned basis both for corporations and for individuals whose portrait he painted. Works created in this decade include Skulls, Hammer and Sickles, Torsos, Maos and Shadows. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol was given a major retrospective of his work at the Pasadena Art Museum which traveled to museums around the world. In the late seventies Warhol began dictating an oral diary to his colleague Pat Hackett, which became the basis for the best-selling Andy Warhol Diaries.

Warhol also began work on Andy Warhol‘s TV, a series of half hour of video programs patterned after Interview magazine. In 1985, “Andy Warhol’s Fifteen Minutes” appeared on MTV, half hour programs featuring celebrities, artists, musicians, and designers, with Warhol as the host. The paintings he created during this time included Dollar Signs, Guns and Last Suppers. He also produced several paintings in collaboration with other artists including Keith Haring, Jean-Michel Basquiat and Francesco Clemente.

Following routine gall bladder surgery, Andy Warhol died of complications during his recovery on 1987. After his burial in Pittsburgh, his friends and associates organized a memorial mass at St. Patrick’s Cathedral on April 1 that was attended by more than 2,000 people. His Paintings are available here. Please purchase on online www.etabletop.com

Andy Warhol Paintings And How Warhol Became Famous

admins — Sun, 05 Sep 2010 07:13:02 +0000

Marilyn Monroe became a Warhol Star after her death and perhaps is the most famous Warhol painting. A series of different color combinations of the original Monroe photo brought increased fame to Andy Warhol.

Campbell’s Soup Cans remain one of the most famous series of Warhol’s art and indeed the most popular. The soup brand was covered by Warhol over many years as he looked to portray different feelings through each variation and used the can symbol as a tool to mould.

Warhol’s shoes is a well-known subject from his career which gained prominence very early on, before his art style was even to gain momentum. Warhol’s professional illustrations along this theme helped him to progress his career. The combination of brightly coloured shoes against dark background proved hugely popular. The success of Warhol as an illustrator helped him to progress into his other art mediums which eventually led to the formation of the Pop Art movement, and his flurry into Film and TV.

The attempted murder of Andy Warhol led to a new direction in Warhol’s work which covered the subject of death and other items closely related to that. The Gun series is a good example of this new art direction, and he used his common repetition style to put across his feelings of death and danger.

Warhol’s bold styles is shown best in his Cow wallpaper series which remains a popular choice with Warhol Art lovers around the world. Psychedelic yellow combined with pinks to dazzle art lovers and attract young followers towards the Pop Art movement, of which Warhol was one of the figureheads. The cow photo came from an agricultural print which later was repeated into real wallpaper by obsessed Warhol.

The full length of Warhol’s career is littered with interesting self-portraits which help art fans to see into Warhol’s mind and discover how he saw himself. Some were also less than happy portrayals and showed a typical artist at odds with himself, so common amongst many of the greatest artists.

Andy Warhol’s Popular Paintings

admins — Sat, 04 Sep 2010 07:13:09 +0000

Andy Warhol was a very successful commercial illustrator. These illustrations consisted mainly of ‘blotted ink’ drawings (or monoprints), a technique which he applied in much of his early art. Although many artists of this period worked in commercial art, most did so discreetly. Andy Warhol was so successful, however, that his profile as an illustrator seemed to undermine his efforts to be taken seriously as an artist.

In the early 1960s, Andy Warhol tried to exhibit some of his drawings using these techniques in a gallery, only to be turned down. He began to rethink the relationship between his commercial work and the rest of his art. Instead of treating these things as opposites, he merged them, and began to take commercial and popular culture more explicitly as his topic.

His early paintings show images taken from cartoons and advertisements, hand painted with paint drips. Those drips emulated the style of successful abstract expressionists. Eventually, Andy Warhol pared his image vocabulary down to the icon itself to brand names, celebrities, dollar signs and removed all traces of the artist’s ‘hand’ in the production of his paintings.

Andy Warhol began to make paintings of famous American products such as “Campbell’s Soup Cans” from the Campbell Soup Company and Coca Cola, as well as paintings of celebrities. He founded ‘The Factory’, his studio, during these years, and gathered around himself a wide range of artists, writers, musicians and underground celebrities. He switched to silkscreen prints, which he produced serially, seeking not only to make art of mass produced items but to mass produce the art itself. In declaring that he wanted to be ‘a machine’, and in minimizing the role of his own hand in the production of his work, Andy Warhol sparked a revolution in art his work quickly became very controversial, and popular.

Andy Warhol’s work from this period revolves around American Popular Culture. He painted dollar bills, celebrities, brand name products, and images from newspaper clippings many of the latter were iconic images from headline stories of the decade. His subjects were instantly recognizable, and often had a mass appeal this aspect interested him most, and it unifies his paintings from this period. This quotation both expresses his affection for popular culture, and evidences an ambiguity of perspective that cuts across nearly all of the artist’s statements about his own work. Please purchase on online www.etabletop.com

Andy Warhol’s Paperweight Pyramid

admins — Sat, 04 Sep 2010 07:13:07 +0000

Andy Warhol was known for breaking the rules, harnessing the latest technology to express his ideas, and creating a new movement in Twentieth century art to be studied and imitated for years to come. The Andy Warhol Home Collection is divided into four design categories: Factory, Pop Abstracts, Signature, and Simply Andy. The Factory designs were influenced by the early textures and shading of Warhol’s “Factory” period.

In the 1960s Serendipity became a hangout for Andy Warhol who sketched and drank coffee there daily. Owner Stephen Bruce explains, “Andy wanted to be in a very comfortable surrounding. Serendipity happened to be very, very comfortable, very charming, and Andy felt free enough to do anything he wanted. He would stay for hours and invite friends to come by.” On sale now, at the Serendipity General Store, is a 500-piece puzzle based on Warhol’s original 1964 painting, “Marilyn,” gift-packed in a collectible tin.

Andy Warhol (1928-1987) was a key figure in Pop Art, an art movement that emerged in America and elsewhere in the 1950s to become prominent over the next two decades. The Fauves used non-representational color and representational form to convey different sensations. Apply the same idea to the portrait of Marilyn Monroe below, using the controls to adjust the colors.

One of the most celebrated artists of the twentieth century, Andy Warhol’s influence can be felt throughout all creative industries, including graphic design, communication, and fashion. In this exquisite book, Gianni Mercurio and Daniela Morera catalogue his dynamic and revolutionary career. With Andy Warhol’s fixation for glitter glamour, style, famous personalities and fashion, Elvis Presley was a more than fitting motif for his work. Warhol used a picture of Elvis from the film “Flaming Star” as the starting point for the iconic painting. Years of partnership between Rosenthal and the Andy Warhol Foundation as well as the avant-garde inheritance of the Rosenthal studio-line live on in this impressive series. Please purchase on online www.etabletop.com

Empire Cup of Andy Warhol

admins — Sat, 04 Sep 2010 07:13:04 +0000

Andy Warhol was one of the most famous and influential artists in history. Since the early 1960s, his work changed the way people thought, and caused them to take a critical look at life from the 1960s to early 1970s. Pop art and its artists existed before Andy Warhol emerged. Beginning in the 1950s, artists of this revolution sought to bring reality into their art, and a departure from the then-common commercialism. Those artists painted commonplace objects. However, it wasn’t until art aficionados took notice in the early 1960s that pop art became revolutionary.

Andy Warhol went to Carnegie Technological Institution, where professors would come to consider his works controversial. Additionally, he failed many assignments because of his Czechoslovakian background, which hindered his ability to speak and write English. Andy Warhol was nearly expelled, but he always prevailed. As college graduation neared, Andy decided to become an art teacher, and sent an application for a position at an art school in Indiana. After he was rejected, he traveled to New York.

Although Andy Warhol’s speedily-made, yet beautiful, artwork quickly made him famous for commercial work, he wanted to be appreciated as an original artist. However, his paintings of Coca-Cola bottles and cartoon characters were dismissed by critics as too similar to other artists’ works. Andy Warhol liked this idea, and later instructed his mother with whom he shared an apartment, to buy every variety of Campbell’s soup on the shelves. Once he was surrounded by all 32 varieties of the soup, he began to paint. He made many versions of soup cans. While this work was considered controversial by many critics, he quickly became known as the person who painted Campbell’s soup cans.

Another technique he employed was silk screening, a method by which an image could be repeatedly copied. His logic was “If one is good, more must be better.” He painted huge images in this way. In 1963, he also began working in “the factory,” a studio where he produced many of his greatest works. Eventually, to keep his ideas fresh, he started producing and/or directing movies. His movies didn’t have a plot or, in many cases, characters. The movies that he produced included The Chelsea Girls, Blue Movie, Sleep, Haircut, and Empire.

In Sleep, a man is shown sleeping for eight hours, and in Empire, the Empire State Building is shown for six hours. His movies were considered controversial by critics, though the common people hated them. Andy Warhol later worked with American artist, James Wyeth, in 1976, and Jean-Michel Basquiat in 1984. He published one magazine, called Interview in 1969. He had many art shows, and every one astounded his critics in ways both good and bad. Andy Warhol died from a heart attack on February 22, 1987, more than 25 years after he first painted the soup cans. Few artists have yet to match Andy Warhol’s popularity and effect on his critics. As he sought fame, he showed the world how commercialized it had become. And Andy Warhol changed how people pictured life. Andy was one of the biggest and most controversial artists in history, and his influence and legacy live on today.

Andy Warhol, the famous artist, who rummaged through America’s daily routine in search of subjects for his brightly colored pop art silkscreens: think Brillo boxes, Campbell’s soup cans, etc. Now you can make Andy Warhol part of your every day with Rosenthal’s china, printed with an unmistakable Warhol daisy design. Please purchase on online www.etabletop.com

Multifunctional Bowl of Andy Warhol Campbell Soup

admins — Sat, 04 Sep 2010 07:13:03 +0000

Andy Warhol painted familiar consumer items such as coca-cola bottles or soup cans throughout the 1960s, the earliest examples first shown in New York in 1962. Asked why he painted soup cans, Warhol replied, ‘we used to drink it. we used to have the same lunch every day.’ Using screenprinting, Warhol could simulate the mechanical effect of his source to the extent that the resulting image appears almost untransformed. Yet, the rich colour, enlargement of scale and unifying black outline are reminders that these are commercial techniques being used in the context of high art, no longer selling products, but presenting them as objects for contemplation. As such, they pose radical questions about the value of art and the way it is consumed.

Andy Warhol, who referred to himself as a re-creator rather than a creator, became a Pop Art icon when he made his multi-hued silkscreened Campbell’s soup cans, Coca Cola bottles and dollar bills. Working out of a studio called The Factory, Warhol’s immediately recognizable objects recreated using silk screen and paint. His most famous work, p.com/corporategifts2.html”>Andy Warhol’s soup cans were an artistic triumph that made him a world-renowned celebrity. This high-quality art print is expertly produced to capture the vivid color and exceptional detail of the original.

Very stylish Andy Warhol Design duvet with the famous campbells soup pop art pic to the front thats carried through to the pillow case. Each set contains one duvet & one pillow case. Art artist Andy Warhol – Building on the results of the previous sessions this one will explore the mechanics at work in Warhol’s Pop Art works. At the same time we will look at American advertising and advertising campaigns of the 60s and discuss similarities and differences. Please purchase on online www.etabletop.com

Visual arts of the United States

admins — Sat, 04 Sep 2010 07:08:53 +0000

Eighteenth century

After the Declaration of Independence in 1776, which marked the official beginning of the American national identity, the new nation needed a history, and part of that history would be expressed visually. Most of early American art (from the late 18th century through the early 19th century) consists of history painting and portraits. Painters such as Gilbert Stuart made portraits of the newly elected government officials, while John Singleton Copley was painting emblematic portraits for the increasingly prosperous merchant class, and painters such as John Trumbull were making large battle scenes of the Revolutionary War.

Nineteenth century

Main articles: Hudson River School, Luminism (American art style), and American Impressionism

James McNeill Whistler, Arrangement in Grey and Black: The Artist’s Mother (1871) popularly known as Whistler’s Mother, Muse d’Orsay, Paris

America’s first well-known school of paintinghe Hudson River Schoolppeared in 1820. As with music and literature, this development was delayed until artists perceived that the New World offered subjects unique to itself; in this case the westward expansion of settlement brought the transcendent beauty of frontier landscapes to painters’ attention.

The Hudson River painters’ directness and simplicity of vision influenced such later artists as Winslow Homer (1836-1910), who depicted rural Americahe sea, the mountains, and the people who lived near them. Middle-class city life found its painter in Thomas Eakins (1844-1916), an uncompromising realist whose unflinching honesty undercut the genteel preference for romantic sentimentalism. Henry Ossawa Tanner who studied with Thomas Eakins was one of the first important African American painters.

Paintings of the Great West, particularly the act of conveying the sheer size of the land and the cultures of the native people living on it, were starting to emerge as well. Artists such as George Catlin broke from traditional styles of showing land, most often done to show how much a subject owned, to show the West and its people as honestly as possible.

Many painters who are considered American spent some time in Europe and met other European artists in Paris and London, such as Mary Cassatt and Whistler.

Twentieth Century

Main articles: American realism and American modernism

Mary Cassatt, The Bath 1891-1892, Art Institute of Chicago, while painted in Europe, Cassatt is considered an American painter

Controversy soon became a way of life for American artists. In fact, much of American painting and sculpture since 1900 has been a series of revolts against tradition. “To hell with the artistic values,” announced Robert Henri (1865-1929). He was the leader of what critics called the Ashcan school of painting, after the group’s portrayals of the squalid aspects of city life. American realism became the new direction for American visual artists at the turn of the century. In photography the Photo-Secession movement led by Alfred Steiglitz made pathways for photography as an emerging art form. Soon the Ashcan school artists gave way to modernists arriving from Europehe cubists and abstract painters promoted by the photographer Alfred Stieglitz (1864-1946) at his 291 Gallery in New York City. John Marin, Marsden Hartley, Alfred Henry Maurer, Arthur Dove, Henrietta Shore, Stuart Davis, Stanton MacDonald-Wright, Morgan Russell, Patrick Henry Bruce, and Gerald Murphy were some important early American modernist painters.

After World War I many American artists also rejected the modern trends emanating from the Armory Show and European influences such as those from the School of Paris. Instead they chose to adopt academic realism in depicting American urban and rural scenes. Charles Sheeler, and Charles Demuth were referred to as Precisionists and the artists from the Ashcan school or American realism: notably George Bellows, Everett Shinn, George Benjamin Luks, William Glackens, and John Sloan and others developed socially conscious imagery in their works.

The American Southwest

Georgia O’Keeffe, Ram’s Head White Hollyhock and Little Hills, 1935, the Brooklyn Museum

Following the first World War, the completion of the Santa Fe Railroad enabled American settlers to travel across the west, as far as the California coast. New artists colonies started growing up around Santa Fe and Taos, the artists primary subject matter being the native people and landscapes of the Southwest. Images of the Southwest became a popular form of advertising, used most significantly by the Santa Fe Railroad to entice settlers to come west and enjoy the nsullied landscapes. Walter Ufer, Bert Greer Phillips, E. Irving Couse, William Henry Jackson, and Georgia O’Keeffe are some of the more prolific artists of the Southwest.

Harlem Renaissance

The Harlem Renaissance was another significant development in American art. In the 1920s and 30s a new generation of educated and politically astute African-American men and women emerged who sponsored literary societies and art and industrial exhibitions to combat racist stereotypes. The movement showcases the range of talents within African-American communities. Though the movement included artists from across America, it was centered in Harlem, and work from Harlem graphic artist Aaron Douglas and photographer James VanDerZee became emblematic of the movement. Some of the artists include Romare Bearden, Jacob Lawrence, Charles Alston, Augusta Savage, Archibald Motley, Lois Mailou Jones, Palmer Hayden and Sargent Johnson.

New Deal Art

Thomas Hart Benton, People of Chilmark (Figure Composition), 1920, Hirshhorn Museum and Sculpture Garden, Washington, DC.

When the Great Depression hit, president Roosevelt New Deal created several public arts programs. The purpose of the programs was to give work to artists and decorate public buildings, usually with a national theme. The first of these projects, the Public Works of Art Project (PWAP), was created after successful lobbying by the unemployed artists of the Artists’ Union. The PWAP lasted less than one year, and produced nearly 15,000 works of art. It was followed by the Federal Art Project of the Works Progress Administration (FAP/WPA) in 1935, which funded some of the most well-known American artists. Several separate and related movements began and developed during the Great Depression including American scene painting, Regionalism, and Social Realism. Thomas Hart Benton, John Steuart Curry, Grant Wood, Ben Shahn, Joseph Stella, Reginald Marsh, Isaac Soyer, Raphael Soyer, and Jack Levine were some of the best known artists.

Abstract Expressionism

Main articles: Abstract expressionism, Action Painting, Color Field, and Lyrical Abstraction

Franz Kline, Painting Number 2, 1954, The Museum of Modern Art

In the years after World War II, a group of New York artists formed the first American movement to exert major influence internationally: abstract expressionism. This term, which had first been used in 1919 in Berlin, was used again in 1946 by Robert Coates in The New York Times, and was taken up by the two major art critics of that time, Harold Rosenberg and Clement Greenberg. It has always been criticized as too large and paradoxical, yet the common definition implies the use of abstract art to express feelings, emotions, what is within the artist, and not what stands without.

The first generation of abstract expressionists was composed of artists such as Jackson Pollock, Willem De Kooning, Mark Rothko, Franz Kline, Arshile Gorky, Robert Motherwell, Clyfford Still, Barnett Newman, Adolph Gottlieb, Phillip Guston, Ad Reinhardt, Hans Hofmann, James Brooks, Richard Pousette-Dart, William Baziotes, Mark Tobey, Bradley Walker Tomlin, Theodoros Stamos, Jack Tworkov and others. Though the numerous artists encompassed by this label had widely different styles, contemporary critics found several common points between them.

Many first generation abstract expressionists were influenced both by the Cubists’ works (black & white copies in art reviews and the works themselves at the 291 Gallery or the Armory Show), and by the European Surrealists, most of them abandoned formal composition and representation of real objects; and by Pablo Picasso and Henri Matisse. Often the abstract expressionists decided to try instinctual, intuitive, spontaneous arrangements of space, line, shape and color. Abstract Expressionism can be characterized by two major elements – the large size of the canvases used, (partially inspired by Mexican frescoes and the works they made for the WPA in the 1930s), and the strong and unusual use of brushstrokes and experimental paint application with a new understanding of process.

The emphasis and intensification of color and large open expanses of surface were two of the principles applied to the movement called Color field Painting. Ad Reinhardt, Adolph Gottlieb, Mark Rothko, Clyfford Still and Barnett Newman were categorized as such. Another movement was called Action Painting, characterized by spontaneous reaction, powerful brushstrokes, dripped and splashed paint and the strong physical movements used in the production of a painting. Jackson Pollock is an example of an Action Painter: his creative process, incorporating thrown and dripped paint from a stick or poured directly from the can; he revolutionized painting methods. Willem de Kooning famously said about Pollock “he broke the ice for the rest of us.” Ironically Pollock’s large repetitious expanses of linear fields are also characteristic of Color Field painting as well, and art critic Michael Fried pointed that out in his essay for the catalog of Three American painters: Kenneth Noland, Jules Olitski, Frank Stella at the Fogg Art Museum in 1965. Despite the disagreements between art critics, Abstract Expressionism marks a turning-point in the history of American art: the 1940s and 1950s saw international attention shift from European -Parisian- art, to American -New York- art.

Color field painting went on as a movement: artists in the 1950s, such as Clyfford Still, Barnett Newman, Robert Motherwell, and in the 1960s, Jules Olitski, Kenneth Noland, and Helen Frankenthaler, sought to make paintings which would eliminate superfluous rhetoric with large, flat areas of color.

After Abstract Expressionism

During the 1950s abstract painting in America evolved into movements such as Neo-Dada, Post painterly abstraction, Op Art, hard-edge painting, Minimal art, Shaped canvas painting, Lyrical Abstraction, and the continuation of Abstract expressionism. As a response to the tendency toward abstraction imagery emerged through various new movements like Pop Art, the Bay Area Figurative Movement and later in the 1970s Neo-expressionism.

Lyrical Abstraction along with the Fluxus movement and Postminimalism (a term first coined by Robert Pincus-Witten in the pages of Artforum in 1969) sought to expand the boundaries of abstract painting and Minimalism by focusing on process, new materials and new ways of expression. Postminimalism often incorporating industrial materials, raw materials, fabrications, found objects, installation, serial repetition, and often with references to Dada and Surrealism is best exemplified in the sculptures of Eva Hesse. Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard-edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

Lyrical Abstraction shares similarities with Color Field Painting and Abstract Expressionism especially in the freewheeling usage of paint – texture and surface. Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in Abstract Expressionism and Color Field Painting. However the styles are markedly different.

During the 1960s and 1970s painters as powerful and influential as Adolph Gottlieb, Phillip Guston, Lee Krasner, Cy Twombly, Robert Rauschenberg, Jasper Johns, Richard Diebenkorn, Josef Albers, Elmer Bischoff, Agnes Martin, Al Held, Sam Francis, Ellsworth Kelly, Morris Louis, Gene Davis, Frank Stella, Joan Mitchell, Friedel Dzubas, and younger artists like Brice Marden, Robert Mangold, Sam Gilliam, Sean Scully, Elizabeth Murray, Walter Darby Bannard, Larry Zox, Ronnie Landfield, Ronald Davis, Dan Christensen, Susan Rothenberg, Ross Bleckner, Richard Tuttle, Julian Schnabel, and dozens of others produced vital and influential paintings.

Other Modern American Movements

Main articles: Pop Art, Hard-edge painting, Happenings, Fluxus, Chicago Imagists, Postminimal, Neo-expressionism, and Conceptual Art

Nighthawks (1942) by Edward Hopper is one of his best known works, Art Institute of Chicago

Members of the next artistic generation favored a different form of abstraction: works of mixed media. Among them were Robert Rauschenberg (1925-2008) and Jasper Johns (1930- ), who used photos, newsprint, and discarded objects in their compositions. Pop artists, such as Andy Warhol (1930-1987), Larry Rivers (1923-2002), and Roy Lichtenstein (1923-1997), reproduced, with satiric care, everyday objects and images of American popular cultureoca-Cola bottles, soup cans, comic strips. Realism has also been popular in the United States, despite modernist tendencies, such as the city scenes by Edward Hopper and the illustrations of Norman Rockwell. In certain places, for example Chicago, Abstract Expressionism never caught on; in Chicago, the dominant art style was grotesque, symbolic realism, as exemplified by the Chicago Imagists Cosmo Campoli (1923-1997), Jim Nutt (1938- ), Ed Paschke (1939-2004), and Nancy Spero (1926- ).

Notable figures

A few American artists of note include: Ansel Adams, John James Audubon, Thomas Hart Benton, Albert Bierstadt, Alexander Calder, Mary Cassatt, Frederic Edwin Church, Thomas Cole, Edward S. Curtis, Richard Diebenkorn, Thomas Eakins, Jules Feiffer, Helen Frankenthaler, Arshile Gorky, Marsden Hartley, Al Hirschfeld, Hans Hofmann, Winslow Homer, Georgia O’Keeffe, Lee Krasner, Franz Kline, Willem de Kooning, Dorothea Lange, Roy Lichtenstein, Morris Louis, John Marin, Agnes Martin, Jackson Pollock, Man Ray, Robert Rauschenberg, Frederic Remington, Norman Rockwell, Mark Rothko, Albert Pinkham Ryder, Cindy Sherman, David Smith, Frank Stella, Gilbert Stuart, Louis Comfort Tiffany, Andy Warhol, Frank Lloyd Wright, Andrew Wyeth, N.C. Wyeth

See also

Abstract Expressionism

Aesthetics

American Impressionism

American modernism

American realism

American scene painting

Art education in the United States

Colorfield painting

History of painting

Late Modernism

List of American artists

Lyrical Abstraction

Modernism

Native American art

Regionalism

Sculpture of the United States

Social Realism

Synchromism

Visual arts of Chicago

Western painting

References

^ a b Movers and Shakers, New York, “Leaving C&M”, by Sarah Douglas, Art+Auction, March 2007, V.XXXNo7.

^ Martin, Ann Ray, and Howard Junker. The New Art: It’s Way, Way Out, Newsweek July 29, 1968: pp.3,55-63.

Sources

Pohl, Frances K. Framing America. A Social History of American Art. New York: Thames & Hudson, 2002 (pages 7484, 118-122, 366-365, 385, 343-344, 350-351 )

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Categories: American art | Art by nationality

Visual Arts in Kuwait

admins — Sat, 04 Sep 2010 07:08:53 +0000

The State of Kuwait is a small constitutional monarchy country on the coast of the Persian Gulf, enclosed by Saudi Arabia to the south and Iraq to the north and west. The name is a diminutive of an Arabic word meaning fortress built near water.

Kuwaits first museum was the residence of Sheikh Ahmed Al Jaber Al Sabah. The archaeological discoveries at Failaka created a need for a place to house these important finds. A department of Antiquity and Museums was also set up. The department bought the former home of the Al Badr family in Kuwait City and turned it into the first national museum while waiting to build a museum fit to house the discoveries made in Kuwait.

Kuwait has a large variety of customs and traditions and this gives rise to a colourful and extensive culture, reflected in the Diwaniya, the Bedouin traditions and Al Sadu weaving. The people of Kuwait also have special love for the arts, be it literature, theatre, music, dance, films or contemporary art.

The National Council of Culture, Arts and Literature the Free Art Studio and the Kuwaiti Society of Formative Artists are promoting the visual arts in Kuwait.

Native cooking reflects Kuwaiti history, its tribes and immigrants, and its international desert and marine trading traditions. It is a unique melange of Bedouin, Persian, Indian and Eastern Mediterranean influences.

In the early Bedouin way of cooking, the whole meal is cooked in a single large pot over charcoal. Meat or fish, vegetables and spices are first browned at the bottom of the pot. Rice or wheat and water are then added, and the pot is covered and left to simmer for some time. This method is still used in Kuwaiti homes to make meat porridges and some traditional prawn and vegetable dishes.

Kuwait consists mostly of desert and little difference in altitude. It has nine islands, the largest one being Bubiyan, which is linked to the mainland by a concrete bridge.

Kuwait enjoys a variable continental climate. Hot summers and cooler winters. The driest months are June through September, while the wettest are January through March.

For the size of the country, are a rich and a relatively open economy with proven crude oil reserves of 96 billion barrels, estimated to be 10 percent of the worlds reserves. Petroleum accounts for nearly half of GDP, 95 percent of export revenues, and 80 percent of government income. Kuwaits climate limits agricultural development.

Website Layout Designing – Web Design

admins — Sat, 04 Sep 2010 07:05:11 +0000

Web design hints for tyros:

Want to have knowledge of tips and tricks in good web design?. Fine, let’s get gear up to create good website with simple and easy method from scratch. Here, how creation of website for your customer with nice and beautiful color combination can be done is going to be taught by me.

1.Every company has it’s logo which is identity of that company from color to design, so here we start from logo, Take the colors from log of your customer’s company for a complete color combination. It’s simple and easy way to select most suitable color combination in web design|.

2. Make two or three good color combination from logo colors with light and dark shades. Now start website layout designing, For designing layouts I prefer photoshop. As there are other softwares in the market such as indesign, fireworks, etc. but I like photoshop most.

3. A meeting with client is necessary for designing website to understand client’s requirement carefully since his satisfactions is what is crucial finally.

4. It is always better to assess his demands and draw a rough sketch then for time saving, but some of our friends skip this step and start directly designing with the help of softwares which is not right.

5. Keeping in mind the requirements of your client, make two or three choices of sketch. It is needed to be see whether the points in toto are available in the design as per all the points your client had suggested?. I am not saying you that you have to cover all the points but at least you should cover 80% to 90% of client’s requirement to increase client’s satisfaction rate.

6. Now, it is time to find suitable images which agree with your customer’s business, if all the things are ready, since images play an important role in web design. It is, therefore, necessary to choose images carefully as they make your website beautiful and attractive.

7. With proper selection of images as per client’s business you also need to select fonts carefully for the website. Font selection is also important for good and creative website designing.

8. Create all the Graphics for layout with suitable combination of color and visual effects carefully.

9. It is quite important to place every part of website carefully and give each part of it with equal importance, lest the site is thrown into imbalance.

10. Website’s images, Graphics and Typography are the three important areas which require suitable attention while creating and applying it to the website.

Besides above all the things you should also keep in mind that Website design become attractive and effective only it contains Easy Navigation, Neat and Clean Layout Design,

In the field of web design, creativity is an important skill. It should be remembered that your future employer should trust your talent in time-management and sense of creativity and impress with your ability to complete the task in time without a fall in the quality, howsoever good you are as an artist and has plenty of creativity. You can do this best by showing previous portfolio examples. Your school project deadlines can be shown as illustrations of effective working under pressure, if you are still in college or just out of it. If you are looking for web design sydney then http://www.heathgrayson.com/ is the best choice for you.

Scrapbook Page Layout & Design

admins — Sat, 04 Sep 2010 07:05:10 +0000

Scrapbook Page Layout & Design

For the beginner Scrapbooker designing your first page can be scary. I know that sounds crazy, but you are looking at all the new supplies that you have purchased and thinking to yourself what happens if I mess up, I just wasted all this money on supplies. Always remember that your scrapbook pages do not have to look like anyone else’s. They can be really simple, just a picture and some journaling on a page or you can make them full of embellishments. It’s all up to you.

A lot of Scrapbookers like to start out by at least having some kind of idea of how there page is going to look like when completed. If you are not that creative you ca pickup a Scrapbooking magazine and find a layout that you would like to try or there is a great book written by Becky Higgins called Creative Companion. This is a book that is filled with sample page layouts. Find one that works with the number of photographs you have, and has a design that works with your style. I refer to this book a lot when I am having a scrappers block.

Now that you have the idea it is time to gather all of the supplies you will need to get your scrapbook page looking like the sample that you have chosen. Remember, just because the sample layout that you found is all in blue and green tones, you don’t have to use them, especially is your pictures are geared towards the colors of red and yellows. Use your imagination and you will make a beautiful masterpiece that you can call your own.

Have a Great Day and don’t forget to leave time to Craft!